25 Easy Ii

When it concerns coming to be an excellent jazz improviser, it's all about learning jazz piano improvisation rhythms language. So unlike the 'half-step below strategy' (which can be outside the scale), when coming close to from over it appears much better when you maintain your notes within the scale that you're in. That's why it's called the 'chord scale over' technique - it remains in the scale.

So as opposed to playing two eight notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same size. The very first improvisation method is 'chord tone soloing', which means to make up melodies making use of the 4 chord tones of the chord (1 3 5 7).

For this to work, it requires to be the following note up within the scale that the songs remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be applied to any type of note size (fifty percent note, quarter note, eighth note) - yet when soloing, it's usually applied to eighth notes.

Just precede any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (via the whole chromatic range), and make note of all the notes that aren't in your current scale. Cm7 enunciation (7 9 3 5) with single tune note (C) played to interesting rhythm.

Jazz artists will certainly play from a wide array of pre-written melodious forms, which are positioned prior to a 'target note' (generally a chord tone, 1 3 5 7). Initially let's establish the 'appropriate notes' - typically I would certainly play from the dorian scale over minor 7 chord.

A lot of jazz piano solos include a section where the tune quits, and the pianist plays a collection of chord expressions, to an interesting rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal textures', 'playing out' and a lot more.