Jazz Improvisation Tips

When it concerns becoming a fantastic jazz improviser, it's all about discovering jazz language. So unlike the 'half-step below approach' (which can be outside the scale), when coming close to from over it seems much better when you keep your notes within the range that you remain in. That's why it's called the 'chord scale over' strategy - it stays in the range.

So rather than playing 2 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into 3 'eighth note triplet' notes - where each note of the triplet coincides length. The very first improvisation strategy is 'chord tone soloing', which implies to make up tunes making use of the 4 chord tones of the chord (1 3 5 7).

I usually play all-natural 9ths above many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' seems ideal if you play your right hand loudly, and left hand (chord) a little bit more quiet - to ensure that the audience hears the melody note ahead.

Simply come before any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (with the whole chromatic scale), and make note of all the notes that aren't in your existing scale. Cm7 enunciation (7 9 3 5) with single melody note (C) played to interesting rhythm.

Currently you could play this 5 note scale (the incorrect notes) over the very same C minor 7 chord in your left hand. With this strategy you simply play the very same notes that you're currently playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

A lot of jazz piano improvisation techniques piano solos include a section where the melody quits, and the pianist plays a collection of chord voicings, to an interesting rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.