Just How To Exercise Jazz Piano Improvisation

It's all regarding finding out jazz piano improvisation techniques language when it comes to coming to be a great jazz improviser. So unlike the 'half-step listed below strategy' (which can be outside the scale), when approaching from above it seems much better when you keep your notes within the scale that you're in. That's why it's called the 'chord scale above' approach - it remains in the scale.

So instead of playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same length. The very first improvisation method is 'chord tone soloing', which implies to make up tunes making use of the four chord tones of the chord (1 3 5 7).

I generally play all-natural 9ths over many chords - including all 3 chords of the significant ii-V-I. This 'chordal texture' appears ideal if you play your right-hand man loudly, and left hand (chord) a bit quieter - to make sure that the audience hears the melody note on the top.

It's great for these units to come out of range, as long as they end up dealing with to the 'target note' - which will usually be just one of the chord tones. The 'chord range over' technique - precede any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play 3 evenly spaced notes in the room of two.

Now you might play this 5 note scale (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you just play the same notes that you're currently playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).

A lot of jazz piano solos include an area where the melody stops, and the pianist plays a series of chord voicings, to an intriguing rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal structures', 'playing out' and much more.