Jazz Piano Improvisation

When it concerns becoming a fantastic jazz improviser, it's all about learning jazz language. So unlike the 'half-step listed below technique' (which can be outside the scale), Bookmarks when coming close to from over it appears far better when you keep your notes within the range that you remain in. That's why it's called the 'chord range over' strategy - it stays in the scale.

So rather than playing two eight notes straight, which would last one quarter note ('one' - 'and'), you can divide that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same length. The initial improvisation strategy is 'chord tone soloing', which implies to make up melodies making use of the 4 chord tones of the chord (1 3 5 7).

I normally play natural 9ths above many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' appears best if you play your right-hand man noisally, and left hand (chord) a little bit quieter - to make sure that the listener listens to the melody note on the top.

Merely precede any kind of chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the entire chromatic range), and make note of all the notes that aren't in your present scale. Cm7 voicing (7 9 3 5) with solitary melody note (C) played to intriguing rhythm.

Now you can play this 5 note scale (the wrong notes) over the same C small 7 chord in your left hand. With this technique you simply play the exact same notes that you're currently playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).

Most jazz piano solos include a section where the tune quits, and the pianist plays a series of chord expressions, to a fascinating rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and a lot more.