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Prepared to enhance your jazz improvisation skills for the piano? Extra simply, if you're playing a track that remains in swing time, then you're currently playing to a triplet feel (you're picturing that each beat is separated right into three eighth note triplets - and every off-beat you play is delayed and used the 3rd triplet note (so you're not even playing 2 equally spaced 8th notes to begin with).

So as opposed to playing 2 8 notes straight, which would last one quarter note ('one' - 'and'), you can split that quarter note into 3 '8th note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which indicates to make up melodies using the four chord tones of the chord (1 3 5 7).

I generally play natural 9ths over most chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal appearance' appears best if you play your right-hand man loudly, and left hand (chord) a little bit more quiet - so that the audience hears the melody note on the top.

It's fine for these enclosures to find out of scale, as long as they wind up settling to the 'target note' - which will normally be among the chord tones. The 'chord scale over' strategy - come before any kind of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play 3 equally spaced notes in the area of 2.

Currently you can play this 5 note scale (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you just play the exact same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).

Most jazz piano improvisation exercises piano solos feature an area where the melody stops, and the pianist plays a series of chord expressions, to a fascinating rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.