Hear Jazz Solos And Improvisations

It's all about discovering jazz language when it comes to becoming a terrific jazz piano improvisation pdf improviser. So unlike the 'half-step below approach' (which can be outside the scale), when approaching from over it sounds far better when you keep your notes within the scale that you're in. That's why it's called the 'chord range above' strategy - it stays in the range.

So rather than playing two eight notes in a row, which would last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet is the same size. The very first improvisation strategy is 'chord tone soloing', which suggests to make up tunes making use of the 4 chord tones of the chord (1 3 5 7).

I typically play all-natural 9ths above the majority of chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds best if you play your right-hand man loudly, and left hand (chord) a bit more quiet - to make sure that the listener hears the melody note on top.

It's fine for these rooms to find out of scale, as long as they wind up resolving to the 'target note' - which will typically be just one of the chord tones. The 'chord scale over' technique - precede any type of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 equally spaced notes in the area of 2.

Now you might play this 5 note scale (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this method you simply play the exact same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

Many jazz piano solos feature an area where the tune quits, and the pianist plays a collection of chord expressions, to an interesting rhythm. These consist of chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.