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It's all concerning learning jazz piano improvisation sheet music language when it comes to becoming a great jazz improviser. So unlike the 'half-step listed below method' (which can be outside the scale), when approaching from over it seems far better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale above' approach - it remains in the scale.

If you're playing in C dorian range, the incorrect notes (missing notes) will be C# E F# G # B (or the notes of E significant pentatonic range). Half-step listed below - chord scale over - target note (e.g. C# - E - D). In this write-up I'll show you 6 improvisation strategies for jazz piano (or any instrument).

For this to work, it needs to be the following note up within the range that the music remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be applied to any kind of note size (half note, quarter note, eighth note) - but when soloing, it's typically applied to eighth notes.

It's fine for these enclosures to find out of range, as long as they wind up dealing with to the 'target note' - which will typically be just one of the chord tones. The 'chord scale above' technique - come before any type of chord tone (1 3 5 7) with the note over. In music, a 'triplet' is when you play 3 evenly spaced notes in the space of 2.

Jazz artists will play from a wide variety of pre-written ariose forms, which are placed prior to a 'target note' (usually a chord tone, 1 3 5 7). Initially let's establish the 'correct notes' - generally I 'd play from the dorian range over small 7 chord.

NOTE: You likewise get a nice collection of actions to play, from 7 - 1 - 9 - 3 - if you wish to play a brief range in your solo. Nonetheless, to quit your playing from seeming foreseeable (and burst out of eighth note pattern), you require to vary the rhythms once in a while.