Just How To Improvisate On Piano

When it comes to becoming a terrific jazz improviser, it's everything about finding out jazz language. So unlike the 'half-step below technique' (which can be outside the scale), when approaching from over it sounds much better when you keep your notes within the scale that you're in. That's why it's called the 'chord range over' technique - it remains in the scale.

So as opposed to playing two eight notes in a row, which would last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet is the same length. The initial improvisation technique is 'chord tone soloing', which implies to make up melodies making use of the 4 chord tones of the chord (1 3 5 7).

I normally play all-natural 9ths above a lot of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' seems ideal if you play your right-hand man loudly, and left hand (chord) a bit quieter - to make sure that the listener hears the melody note ahead.

It's fine for these enclosures to find out of scale, as long as they wind up resolving to the 'target note' - which will usually be just one of the chord tones. The 'chord range above' technique - precede any type of chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play three evenly spaced notes in the space of 2.

Jazz artists will play from a wide variety of pre-written melodic shapes, which are positioned prior to a 'target note' (usually a chord tone, 1 3 5 7). Initially let's establish the 'right notes' - normally I 'd play from the dorian range over minor 7 chord.

The majority of jazz piano improvisation book piano solos feature an area where the tune quits, and the pianist plays a collection of chord enunciations, to a fascinating rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal structures', 'playing out' and extra.