25 Easy Ii

When it involves ending up being a terrific jazz improviser, it's everything about discovering jazz language. So unlike the 'half-step below technique' (which can be outside the scale), Bookmarks when coming close to from over it sounds much better when you keep your notes within the scale that you're in. That's why it's called the 'chord scale above' method - it remains in the range.

If you're playing in C dorian range, the incorrect notes (missing notes) will be C# E F# G # B (or the notes of E major pentatonic range). Half-step listed below - chord scale above - target note (e.g. C# - E - D). In this short article I'll show you 6 improvisation techniques for jazz piano (or any type of tool).

I generally play natural 9ths over most chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears ideal if you play your right-hand man loudly, and left hand (chord) a bit quieter - so that the listener hears the melody note on top.

It's fine for these units to come out of range, as long as they wind up dealing with to the 'target note' - which will normally be one of the chord tones. The 'chord scale over' technique - precede any chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 equally spaced notes in the area of two.

Currently you might play this 5 note scale (the wrong notes) over the same C small 7 chord in your left hand. With this strategy you simply play the exact same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

A lot of jazz piano solos feature an area where the tune quits, and the pianist plays a series of chord expressions, to a fascinating rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and much more.